Showing posts with label Comics to Film/TV. Show all posts
Showing posts with label Comics to Film/TV. Show all posts

Wednesday, August 27, 2025

Recent Scholarship from Arthuriana Spring 2025

The previous number of Arthuriana, volume 35, number 1, for Spring 2025, is now available and can be read for free as open-access content from Project MUSE at https://muse.jhu.edu/issue/54796

This is a special "crossover" issue with the journal's Public Humanities Project, The So What, and guest edited by Jonathan F. Correa Reyes and includes two items that focus on comics (plus some comments in Correa Reyes's introduction). 

Subscriptions are also available at https://www.arthuriana.com/subscribe.  


Table of Contents 

(35.1)

Medieval Studies as a Public Good

Jonathan F. Correa Reyes

This introductory essay argues that Public Humanities frameworks can help medievalists re-establish our credibility with publics beyond the academy and embrace more collaborative models of knowledge production. Extending our reach beyond academic institutions will help us demonstrate the value of medieval studies as a public good. (JFCR)


From Chile to Camelot: Reception of the Arthurian Arc of Mampato and Ogú

Jonathan F. Correa Reyes and Camila Gutiérrez

This essay analyzes how the Arthurian arc of the Chilean comic Mampato and Ogú challenges the neocolonial rhetorics that cast Chile as a stagnant country, and how it afforded Chileans an opportunity to participate in a global cultural current of Arthurian adaptations. We discuss the meanings that the Arthurian motifs may have acquired during two very different political atmospheres: the years preceding Salvador Allende's democratic election and the onset of Augusto Pinochet's dictatorship. (JFCR & CG)


Unexpected Swords in the Stone

Brenna Duperron

The Arthurian legends are well-known for their knights-in-shining armour, quests, chivalry, supernatural encounters, and of course, swords being pulled out of stones. The use of the 'sword-in-the-stone' trope allows the 21st century superhero films to play with and reinvent the implications of a 'true right to rule,' and the bodies that are expected to fill those roles. (BD)




Wednesday, June 26, 2013

Lee on Prince Valiant

With apologies for the multiple cross-postings:

Lee, Peter W. “Red Days, Black Knights: Medieval-themed Comic Books in American Containment Culture.”Corporate Medievalism II. Ed. Karl Fugelso. Studies in Medievalism 22. Cambridge, Eng.: D. S. Brewer-Boydell & Brewer, 2013. 181-200. Print.


Tuesday, March 20, 2012

Lucid the Movie?

Archaia Entertainment recently reported that the Lucid series has been optioned by Warner Bros. as a potential film for audiences seeking post-Harry Potter entertainment. Details at both the publisher's website and from Marc Graser of Variety.

Tuesday, March 6, 2012

Prince Valiant on Film/TV Update

I had thought I posted this before, but it looks like I forgot. Kevin Harty's recent collection The Vikings on Film: Essays on Depictions of the Nordic Middle Ages includes a number of discussions on adaptations of Prince Valiant to film and television, as follows (see post on The Medieval Comics Project for details on non-Arthurian comics to film/TV addressed here):


The Vikings on Film: Essays on Depictions of the Nordic Middle Ages
Edited by Kevin J. Harty

Print ISBN: 978-0-7864-6044-1 = $38.00
Ebook ISBN: 978-0-7864-8638-0
22 illustrations, notes, filmography, bibliographies, index
236pp. softcover (7 x 10) 2011

Table of Contents

Preface 1
Introduction: "Save Us, O Lord, from the Fury of the Northmen"; or, "Do You Know What’s in Your Wallet?" 3
KEVIN J. HARTY


The Trope of the Scopic in The Vikings (1958) 9
KATHLEEN COYNE KELLY
Guess Who’s Coming to Plunder? Or, Disorientation and Desire in The Long Ships (1964) 24
DONALD L. HOFFMAN
"To be, or not to be"--King: Clive Donner’s Alfred the Great (1969) 39
CHRISTOPHER A. SNYDER
Valiant and Villainous Vikings 46 [on 1954 Prince Valiant]
ALAN LUPACK

Silly Vikings: Eichinger, Hickox, and Lorenz’s Anglo-German-Irish Production of Hal Foster’s Prince Valiant (1997) 56
JOSEPH M. SULLIVAN

When Civilization Was Less Civilized: Erik the Viking (1989) 72
SUSAN ARONSTEIN
"The Love of All Mankind but Also the Love of One Woman Alone": Hrafn Gunnlaugsson’s Shadow of the Raven (1988) 83
JOAN TASKER GRIMBERT and CLAUDIA BORNHOLDT
Different Pathfinders, Different Destinations 96
ROBERTA DAVIDSON
Who’s Savage Now?!--The Vikings in North America 106
KEVIN J. HARTY
Call of the Wild: Culture Shock and Viking Masculinities in The 13th Warrior (1999) 121
ELIZABETH S. SKLAR
Harrying an Infinite Horizon: The Ethics of Expansionism in Outlander (2008) 135
DAVID W. MARSHALL
Between Exploitation and Liberation: Viking Women and the Sexual Revolution 150
LAURIE A. FINKE and MARTIN B. SHICHTMAN
Time Out of Joint: Why a Gaul Fought the Normans in Asterix and the Vikings (2005) 165
ANDREW B. R. ELLIOTT
Northern Lite: A Brief History of Animated Vikings 178
MICHAEL N. SALDA
The Vikings on Film: A Filmography 193
KEVIN J. HARTY


About the Contributors 215
Index 219

Wednesday, March 2, 2011

Dracula vs. King Arthur Continued

Adam and Christian Beranek's Dracula vs. King Arthur continues to spread out into other media. The series is now a web comic--with individual pages posted several times a week--on DraculavsKingArthur.com and some of the posts include annotations by Adam Beranek. Enthusiasts can also find the series as an iPhone app from Comixology and a motion comic from Comflix Studios (click menu and scroll to your left). These manifestations are of course in addition to the original comic book series, the collected editions, and digital comics released previously.

I append below a trailer for the webcomic as found on YouTube:


There are also a number of interviews available from the various creators (such as Adam Beranak and artist Chris Moreno), and these can be conveniently accessed from our links menus in the sidebar.

Saturday, May 29, 2010

Avalon High the Movie


The Disney Channel is now filming a live-action adaptation of Meg Cabot's young-adult novel Avalon High. No word on whether or not this production will incorporate material from the three-part manga sequel Avalon High: Coronation. Details from a press release about the film can be found on various web sites including the following from The Futon Critic:
[05.03.10 - 10:50 AM]
PRODUCTION HAS BEGUN IN NEW ZEALAND ON "AVALON HIGH," A DISNEY CHANNEL ORIGINAL MOVIE THAT BRINGS ARTHURIAN LEGEND ALIVE AT A CONTEMPORARY HIGH SCHOOL
Released by Discovery
[NOTE: The following article is a press release issued by the aforementioned network and/or company. Any errors, typos, etc. are attributed to the original author. The release is reproduced solely for the dissemination of the enclosed information.]

PRODUCTION HAS BEGUN IN NEW ZEALAND ON "AVALON HIGH," A DISNEY CHANNEL ORIGINAL MOVIE THAT BRINGS ARTHURIAN LEGEND ALIVE AT A CONTEMPORARY HIGH SCHOOL

Production has begun in New Zealand on "Avalon High," a fantasy-filled Disney Channel Original Movie starring Britt Robertson ("Life Unexpected") and Gregg Sulkin ("Wizards of Waverly Place," Disney Channel UK's "As the Bell Rings"). Based on the award-winning novel by best-selling author Meg Cabot ("The Princess Diaries"), the movie follows Allie Pennington, a new student to Avalon High who is shocked to discover that her new classmates are reincarnations of King Arthur and his Court. "Avalon High" is slated to premiere in fall 2010.

In "Avalon High," Allie is ecstatic when her parents, traveling professors who specialize in King Arthur's legend, tell her she will be staying at Avalon High until she graduates. She can finally join the track team, make new friends and be a normal high school student. But shortly after arriving, Allie discovers that something strange may be afoot. While researching a term paper on King Arthur's legacy, she begins to notice some interesting parallels between the past and the present - from handsome quarterback Will, his cheerleader girlfriend, Jen, and their best friend, Lance, to Will's brooding step-brother, Marco, a quirky kid named Miles and football players who act like knights of the roundtable. The deeper Allie searches, the more convinced she is that her school is a contemporary Camelot, and it's up to her to solve of the mystery of Avalon High before notorious traitor Mordred wins again.

Starring are: Britt Robertson as Allie Pennington, Gregg Sulkin as Will Wagner, Joey Pollari (Disney XD's "Skyrunners") as Miles, Devon Graye ("Dexter") as Marco, Molly Quinn ("Castle") as Jen, Christopher Tavarez ("Big Momma's House 2") as Lance, and Steve Valentine ("I'm in the Band," "Wizards of Waverly Place The Movie," "Crossing Jordan") as Mr. Moore.

The teleplay, based on the book by Meg Cabot, was written by Julie Sherman Wolfe ("Jonas," "Phil of the Future") and is directed by Stuart Gillard (Disney Channel's "Hatching Pete," "90210"). "Avalon High" is a production of Sudden Motion Productions, Inc. and Ranger Productions Ltd.

Disney Channel is a 24-hour kid-driven, family inclusive television network that taps into the world of kids and families through original series and movies. Currently available on basic cable in over 99 million U.S. homes and to millions of other viewers on Disney Channels around the world, Disney Channel is part of the Disney/ABC Television Group.