The Arthur of the Comics Project, sponsored by the Alliance for the Promotion of Research on the Matter of Britain, is an ongoing effort to compile a comprehensive listing of the representations of the Matter of Britain in the comics medium. The corpus is international in scope and extends as far back as (at least) the 1920s. We welcome your help in achieving our goal, and we also appreciate news on other medieval-themed comics.
Friday, September 22, 2023
CFP Arthur Refracted: Representations of Arthur across Comics (1/19/2024 - Spec Issue Arthuriana)
Please support the project if you can.
Do contact the guet editor, Jamey Keeton, drectly with any quesions .
Michael
CFP: Arthur Refracted: Representations of Arthur across Comics
Special Issue for Arthuriana
Email: jkeeton@ur.rochester.edu
Abstracts Due: January 19th, 2024
*If selected for the special issue, full articles will be expected June 7th.
Arthuriana seeks short abstracts (100-250 words) for a special issue on comics and the Arthurian legend. The comics do not have to be specifically about Arthur, but can draw on Arthurian legend in apparent, significant, and meaningful ways and can engage with myriad genres from superhero comics to more independent works. We are especially interested in papers that examine comics where the Arthurian legend is problematized, challenged, and remixed/rebooted while deploying perspectives from comics studies, visual studies, and cultural studies.
Monday, August 19, 2019
News of CFP Saving the Day for Medievalists: Accessing Medieval-Themed Comics in the Twenty-first Century (Roundtable) (9/15/19; Kalamazoo 5/7-10/2020)
Paper proposals are due by 15 September 2019.
Thanks for your support of our endeavors.
Wednesday, April 4, 2018
Medieval Comics Panel for MAPACA 2018
The complete call can be found on our sibling site, The Medieval Comics Project, at https://medieval-comics-project.blogspot.com/2018/03/cfp-comics-get-medieval-2018-round.html.
Tuesday, June 21, 2016
Rejected by Kalamazoo
Michael Torregrossa
Founder, The Alliance for the Promotion of Research on the Matter of Britain
Wednesday, June 1, 2016
Arthurian Comics at Kalamazoo 2017
Crisis in Camelot? Arthurian-Themed Comics and Their Place in Arthurian Studies: A Roundtable in Commemoration of the 80th Anniversary of Prince Valiant (A Roundtable)
Sponsored by the Arthur of the Comics Project, an outreach of the Alliance for the Promotion of Research on the Matter of Britain
Comics based on or inspired by the Arthurian legend have been in existence since at least the 1920s, and this corpus, which is primarily American in origin, numbers in the thousands. Despite the history and diversity of this material, comics studies remain a neglected aspect of research on the modern Matter of Britain compared to work on other media, a fact lamented on by Alan Stewart, one of the founders and foremost popularizers of Arthurian comics research, in 1986. At that time, he remarked, “Over the centuries, the legend of King Arthur has been recounted in virtually every medium of expression known to humankind. Most of these are represented in Arthurian studies, but the popular artform known as the comic strip has been largely neglected, despite the fact that comics remain one of the most widely disseminated and experienced media of our time” (12). Sadly, there has yet to be burgeoning interest in Arthurian comics, despite some promising starts. However, this does not have to remain the status quo.
Comics are important texts for understanding the contemporary reception of the legend, and they have much to offer the Arthurian enthusiast, as Valerie M. Lagorio and Mildred Leake Day observed in 1990: “It is interesting to note the parallel development of Arthurian adaptations in the novel, science fiction and fantasy, movies, and the comics in recent years, as all have exhibited increasingly sophisticated, imaginative, and original treatments of the Arthurian ideal” (xvi). Writing in 1996, Norris J. Lacy, focusing specifically on comics, submitted that “American comics and cartoons constitute one of the fertile sources of popular Arthuriana,” though the slow progress of study suggests some reluctance in incorporating the medium into our scholarship and teaching. Thus, the purpose of this roundtable is to initiate discussions of how we might foster original work on Arthurian comics by exploring various ways to successfully integrate the comics medium into our careers, for, as Peter W. Williams reminded us in 1982, “Speculum and Prince Valiant both occupy the pages on the shelves in our libraries, and each in its own way is a manifestation of that strange and wonderful culture, the American” (15).
The Alliance hopes to attract a varied group of presenters for this session, including medievalists, popular culture specialists, and comics scholars.
Works Cited
Lacy, Norris J. “Popular Culture.” The New Arthurian Encyclopedia. Updated Paperback Edition with Supplement, 1990-1995. Ed. Norris J. Lacy, et al. Garland Reference Library of Humanities 931. New York and London: Garland, 1996. 363-64. Print.
Lagorio, Valerie M., and Mildred Leake Day. “Introduction to Volume II.” King Arthur Through the Ages. Ed. Valerie M. Lagorio and Mildred Leake Day. Vol. 2. Garland Reference Library of Humanities 1301. New York: Garland, 1990. Xi-xvi. Print.
Stewart, H. Alan. “King Arthur in the Comics.” Avalon to Camelot 2.1 (1986): 12-14. Print.
Williams, Peter W. “The Varieties of American Medievalism.” Studies in Medievalism 1.2 (Spring 1982): 7-20. Print.
Sunday, April 8, 2012
Comics Get Medieval 2013 First CFP
The Virtual Society for the Study of Popular Culture and the Middle Ages is pleased to announce the following call for papers:
Thursday, July 14, 2011
CFP Comics Get Medieval at Kalamazoo
Saturday, May 14, 2011
CFP: The Return of King Arthur in the Post-Medieval World (12/1/11; Plymouth, NH 4/20-21/12)
Sunday, May 8, 2011
Comics Get Medieval 2012 Call for Papers
THE COMICS GET MEDIEVAL 2012:
A CELEBRATION OF MEDIEVAL-THEMED COMICS IN
COMMEMORATION OF THE 75TH ANNIVERSARY OF PRINCE VALIANT
CALL FOR PAPERS (PCA: BOSTON, MA 4/4-7/12)
SPECIAL SESSIONS OF THE COMICS & COMIC ART AREA
ORGANIZED BY MICHAEL A. TORREGROSSA AND JASON TONDRO
PROPOSALS DUE TO ORGANIZERS BY 1 DECEMBER 2011
Celebrating our sixth year in 2012, proposals are now being considered for inclusion at “The Comics Get Medieval 2012,” a series of panels and roundtables sponsored by The Virtual Society for the Study of Popular Culture and the Middle Ages and to be hosted by the Comics & Comic Art Area of the Popular Culture Association (PCA) for the 2012 Joint Conference of the National Popular Culture and American Culture Associations to be held from 4-7 April 2012 in Boston, Massachusetts.
The goal of these sessions is to foster communication between medievalists, comics scholars, and specialists in popular culture studies in general. The organizers define “medieval comics” as any aspect of the comics medium (panel cartoons, comic strips, comics books, comics albums, band dessinée, graphic novels, manga, webcomics, comics to film/film to comics, etc.) that feature medieval themes either in stories set during the Middle Ages or in stories presenting some element of the medieval in the post-medieval era. We are also interested in papers looking at medieval comics from a pedagogical perspective.
Completed papers should be delivered in 15-20 minutes (depending on the number of presenters).
All proposals will also be considered for inclusion in an essay collection to be edited by the panel organizers beginning in late 2011/early 2012. (Individuals only interested in submitting for the collection should also send proposals by 1 December 2011 deadline and indicate their preference in the email.)
In addition, a select list of potential topics and a bibliographic guide to medieval comics will appear as part of THE MEDIEVAL COMICS PROJECT web site available at http://MedievalComicsProject.org and THE ARTHUR OF THE COMICS website available at http://Arthur-of-the-Comics.org, both organized by the Virtual Society for the Study of Popular Culture and the Middle Ages.
No later that 1 December 2011, interested individuals (who must be members of PCA or ACA or join for 2012) should submit full contact information (name, address, phone/cell, and email), titles, and abstracts of 300-500 words to the sessions’ organizers, who will then forward them to area chair.
Address all inquiries and proposals to the organizers at the following address:
Medieval.Comics.Project@gmail.com and include “Comics Get Medieval 2012” in the subject line.
Wednesday, April 6, 2011
Advance Notice Kalamazoo 2012
Are You From Camelot? Recent Arthurian Film, Television, and Electronic Games as Innovators of the Arthurian Tradition and Their Impact (Roundtable)
The Comics Get Medieval at Kalamazoo: New Perspectives for Incorporating Comics into Medieval Studies Teaching and Research (Roundtable)
Wednesday, September 29, 2010
CFP: 23rd International Arthurian Congress (10/1/10; Bristol, UK 7/25-30/11)
XXIIIrd Triennial Congress of the International Arthurian Society - Bristol, 25-30 July 2011
(complete details at http://www.bris.ac.uk/medievalcentre/arthur/english/index_html)
Conference Location
We are pleased to announce that the 23rd International Congress of the International Arthurian Society will be hosted by the University of Bristol, 25 - 30 July 2011.
Bristol is a thriving city in the South-West of England with a rich medieval history. It has many attractions, medieval and modern, and is ideally located for excursions to places associated with the Arthurian legend, and also to major tourist attractions such as the cities of Bath, Wells and Hereford.
All congress lectures and papers will take place in the University’s imposing Wills Memorial Building, right in the middle of Bristol’s bustling city centre. In addition to a wide range of nearby hotels and a YHA Youth Hostel, cheap single-room accommodation (not en-suite) is available in Clifton Hill House, an attractive student hall of residence in the picturesque area of Clifton, within easy walking distance of the university’s Wills Memorial Building.
Conference Themes and Call for Papers
The conference themes are as follows:
Arthurian ideals and identities.
Late Arthurian romance.
Narrative techniques and styles.
Arthurian manuscripts and early printed editions.
Arthurian images and iconography.
The supernatural and spirituality in the Arthurian world.
If you would like to present a paper on one of the conference themes, please send a brief title and a summary not exceeding 250 words to reach the organisers by 1 October 2010 at the latest; indicate which of the conference themes you wish to address by assigning it the number of the corresponding theme (nos. 1-6). Papers should if possible fit one (or more) of the themes, but if your proposal does not, please assign it the number 7. We also ask you to provide the following personal information: name; affiliation; postal address; e-mail address; number of people accompanying you; where you are thinking of staying (hotel/ youth hostel or University student accommodation).
We also invite proposals for organised sessions and Round Tables linked to the conference themes, both restricted to 90 minutes in length. To propose a Round Table, please send us a brief description of the topic you wish to explore, along with the names and personal details (as above) of at least two members of the society who have already agreed to offer short introductory contributions, and the number of the relevant conference theme.
To propose a session, please send us a brief rationale for the session, the number of the relevant conference theme, and the names and personal details (as above) of those members of the society who have agreed to contribute a paper to the session, and summaries of each of the papers. Sessions should consist of either two or three papers. Proposals for both Round Tables and organised sessions should be submitted to the organisers by 1 September 2010 at the latest.
Please send all proposals for papers, Round Tables, and organised sessions by e-mail to Arthur-2011@bristol.ac.uk
If you do not use e-mail, please send your proposal by post either to Professor Elizabeth Archibald or to Professor Ad Putter, English Department, University of Bristol, 5 Woodland Road, Bristol, England, BS8 1TB, marking your envelope with the phrase ‘Arthur2011’.
Sessions and Excursions
The conference will feature five plenary lectures, given by a truly international range of leading Arthurian scholars:
Bart Besamusca (University of Utrecht)
Siân Echard (University of British Columbia)
Christine Ferlampin-Acher (University of Rennes)
Helen Fulton (University of York)
Andrew Lynch (University of Western Australia)
There will be excursions to sites of Arthurian and medieval interest including Caerleon, Glastonbury, and Hereford.
In addition, we will be holding several masterclasses for postgraduate students, including one on publishing, and one on Arthurian texts in need of further study.
Tuesday, August 17, 2010
CFP: Comics Get Medieval 2011 (12/1/10; PCA 4/20-23/11 San Antonio)
A CELEBRATION IN ANTICIPATION OF THE 75TH ANNIVERSARY OF PRINCE VALIANT
CALL FOR PAPERS (PCA: SAN ANTONIO, TX 4/20-23/11)
SPECIAL SESSIONS OF THE COMICS & COMIC ART AREA
ORGANIZED BY MICHAEL A. TORREGROSSA AND JASON TONDRO
PROPOSALS DUE TO ORGANIZERS BY 1 DECEMBER 2010
Celebrating our sixth year in 2011, proposals are now being considered for inclusion at “The Comics Get Medieval 2011,” a series of panels and roundtables sponsored by the Society for the Study of Popular Culture and the Middle Ages and to be hosted by the Comics & Comic Art Area of the Popular Culture Association (PCA) for the 2011 Joint Conference of the National Popular Culture and American Culture Associations to be held from 20-23 April 2011 at the San Antonio Marriott Rivercenter & Riverwalk Hotels, 101 Bowie Street , San Antonio,TX 78205.
The goal of these sessions is to foster communication between medievalists, comics scholars, and specialists in popular culture studies in general. The organizers define “medieval comics” as any aspect of the comics medium (panel cartoons, comic strips, comics books, comics albums, band dessinée, graphic novels, manga, webcomics, comics to film/film to comics, etc.) that feature medieval themes either in stories set during the Middle Ages or in stories presenting some element of the medieval in the post-medieval era. We are also interested in papers looking at medieval comics from a pedagogical perspective.
Completed papers should be delivered in 15-20 minutes (depending on the number of presenters). All proposals will also be considered for inclusion in an essay collection to be edited by the panel organizers beginning in late 2011. (Individuals only interested in submitting for the collection should also send proposals by 1 December 2010 deadline and indicate their preference in the email.)
In addition, a select list of potential topics and a bibliographic guide to medieval comics will appear as part of THE MEDIEVAL COMICS PROJECT web site available at <http://MedievalComicsProject.org> and THE ARTHUR OF THE COMICS website available at <http://Arthur-of-the-Comics.org/>, both organized by the Society for the Study of Popular Culture and the Middle Ages.
No later that 1 December 2010, interested individuals (who must be members of PCA or ACA or join for 2011) should submit full contact information (name, address, phone/cell, and email), titles, and abstracts of 300-500 words to the sessions’ organizers, who will then forward them to area chair. Address all inquiries and proposals to the organizers at the following address: <Medieval.Comics.Project@gmail.com> and include “Comics Get Medieval 2011” in the subject line.
Friday, August 6, 2010
CFP: Dave Sim Cerebus Book (11/30/10)
Call for Papers Date: 2010-11-30
Date Submitted: 2010-03-02
Announcement ID: 174541
EADLINE: November 30, 2010
Call for papers for a collection of critical essays on various aspects of or approaches to Dave Sim's comic book Cerebus, both a scholarly and popular, though coherent, companion (and introduction) to the series.
Any subject matter is welcome, so long as it pertains to Dave Sim and/or Cerebus.
Some recommendations:
Discussion of 1970's comics scene in which Dave first started to contribute together with a discussion of the various influences on Cerebus (Howard the Duck, Conan the Barbarian, Red Sonja)
Cerebus as satire of the comics medium (The Roach, "reads," etc)
Cerebus as social satire (political and religious satire)
The shift in tone from earlier and later Cerebus as a result of Dave's conversion
The influence of Cerebus on the comics industry
Cerebus and the graphic "Novel"
Dave Sim as self-publisher and his feud with Gary Groth and the Comics Journal
Dave Sim and the CBLDF
Comics fandom and Aardvark Comment (& the Yahoo Group)
Narrative structure in Cerebus
"Mind Games"
"Something Fell"
Dave Sim as magpie (Barry Windsor-Smith, Mort Drucker, etcetera)
Gerhard's impact on Cerebus
Sim's use of literary characters (Wilde, Fitzgerald, Hemingway, etc)
Sim's use of public personas (Elrod, Mick and Keef, Lord Julius, Konigsberg, The 3 Stooges, etc)
Meta-narrative in Cerebus (Viktor Davis/Reid in Reads, Sim in Minds and Guys)
Cerebus and Religion (both pre-and post-conversion)
Cerebus as a critique of feminism
Gender issues in Cerebus (male/female light/void, he/she/it, YHWH, God,
"Tangent," "10 Impossible Things," etc)
Eric Hoffman
860-328-0988
Email: lily_anselm@yahoo.com
Sunday, February 14, 2010
CFP: Comics Art Conference 2010 (3/1/10; San Diego 7/22-25/10)
Call for Papers, Presentations, and Participation
COMICS ARTS CONFERENCE
100 to 200 word abstracts for papers, presentations, panels, and poster sessions taking a critical or historical perspective on comics (juxtaposed images in sequence), and to serve as respondents are being accepted for two meetings of scholars and professionals for
Comic-Con International
San Diego, CA July22 – 25, 2010
&
Wonder Con
San Francisco, CA April 2 - 4 2010
We seek proposals from a broad range of disciplinary and theoretical perspectives, and welcome the participation of academic, independent, and fan scholars. We welcome professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists.
The Conference is designed to bring together comics scholars, professionals, and critics,
who wish to engage in serious study of the comics medium in a forum that includes the public.
Proposals due:
Dec. 1, 2009, for CAC-WC March 1, 2010, for CAC-SD
CAC submission form: http://fac.hsu.edu/langlet/comics_scholars/
Dr. Peter Coogan
Institute for Comics Studies
719 Fairview Ave.
St. Louis MO 63119
314-962-7939
E-mail: comicsartsconference@gmail.com
Saturday, January 16, 2010
CFP Arthurian-Themed Comics Collection (1/30/10)
CFP Arthurian-Themed Comics Collection (1/30/10)
In commemoration of the upcoming 75th anniversary of Prince Valiant, we are seeking brief proposals (apx. 200-500 words) for a collection of essays on comics (comic strips, comic books, graphic novels, web comics, and adaptations into other media) based on or inspired by the Arthurian tradition. The collection will be edited by Michael A Torregrossa and Jason Tondro. Please submit proposals to the editors by 30 January 2010.
Michael A Torregrossa
The Society for the Study of Popular Culture and the Middle Ages
34 Second Street
Smithfield, RI 02917-3627
United States
Email: Arthur.of.the.Comics-at-gmail.com